The most prominent artistic technique uses in this cartoon would be the use of color. This cartoon is completely based off of a black and white color scheme. This essentially casts a stern, stark mood for the cartoon, highlighting the uniform, mundane, and unthinking nature of the men sitting around the table. These men are conformists, being educated purely based off of the stereotypical feminist perspective. Yet in reality, this stereotypical ideology is constructed by men; their androcentric mindset serves as an obstacle for them to back down from their patriarchal throne in attempt to interpret the genuine feminist perspective. The character standing by the door is also in black and white like the other executives. This suggests that he merely represents another ignorant, uninformed individual who neglects the actual female perspective. Through this character, Donnelly criticizes men’s stereotypical and ignorant perception of females: high heels and earrings, and their lack of education in regard to the authentic feminist viewpoint.
The exquisite use of irony in the cartoon amplifies the artist’s main message. Donnelly ironically introduces a male character dressed up with exaggerated stereotypical female accessories to supposedly present the feminist perspective. By doing this, the artist reveals the absurdity of men’s self-righteous view of feminism. In response, Donnelly does not refute such fallacy, but in the contrary, ironically criticizes the stereotypical viewpoint by exaggerating its absurdity to ultimately emphasize the preposterous nature of men’s stereotypical perception of women. Additionally, it is ironic how the male executives ignorantly view the ridiculously mistaken feminist view as an accurate depiction of the feminist perspective. Through this, Donnelly satirizes and exposes the mob mentality of these male figures and their indifference to feminist matters and thus brings the lack of awareness and widespread misconceptions in regard to feminist perspectives to light.
The use of the rule of thirds enhances the main message of the comic. By incorporating the rule of thirds into her cartoon, Donnelly communicates the significance of various elements and subjects. The comic is split into three equal parts across the panel, and out of the three parts, two were taken up by the male executives sitting at the table, while the other was taken up by the feminist representative. This suggests the prominence of male dominance in society, and how the quantitative male dominance in society led to the prominence of a self-righteous mentality in men. Yet, this patriarchal mentality is merely misconception from men; an illusion that men are hierarchical leaders of society. Additionally, the male executives and the feminist representative are placed in opposing directions. This suggests the opposing nature of male figures and their disapproving attitude towards the feminist perspective. As male figures portray themselves as the hierarchical leaders of society as a result of the lack of education in regard to feminist perspectives, they naturally express hostility and despise towards females.
In consolidation, Donnelly utilizes a limited color scheme, irony, and the rule of thirds in order to address a widespread issue; the self-righteous mentality of male figures in society and their signs of hostility and despise towards females. Yet all attribute to the lack of awareness and the extensive amount of misconception in respect to feminist perspectives.